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Victorian Art in Britain |
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Sir
Edward Poynter
1836-1919
| Early
in his career Poynter studied in Rome, where he met Frederic Leighton,
his greatest single artistic influence. He then moved to Paris in 1855.
On returning to London, he became involved on book illustration. In
1865 he produced his first really successful picture, “Faithful Unto
Death,” a roman sentry staying at his post in Pompeii as Vesuvius overwhelmed
the city. This dramatic painting was probably never bettered by Poynter
throughout his whole long career. Poynter became an Associate of the
Royal Academy in 1869, at an unusually early age. Much of the rest of
his life was devoted to the Academy, he was hardworking, conscientious,
& a competent administrator.
Poynter married Agnes MacDonald, the sister of Burne-Jones wife Georgiana. Burne-Jones disliked Poynter, who was an unsympathetic, brusque character. When Leighton died in 1896, he was succeeded as President of the Royal Academy by Millais, who was suffering from cancer of the throat. On the death of Millais a few months later, Poynter succeeded him, narrowly defeating Briton Riviere in the vote. He was PRA for the next two decades. From the turn of the century Poynter's paintings declined both in numbers & standard, his main priority being the running of the Academy. He lived to see the death of classicism, & the total eclipse of his own artistic standards, & those of his contemporaries. He adopted the approach of ignoring new developments of which he did not approve. Unhappily Poynter outstayed his welcome. One of the last duties of the eighty one year old PRA, was to attend the funeral of J W Waterhouse. There was, though, something splendid about the way he remained consistent to the last, resisting what he saw as the corruption, & denigration of all that was beautiful in art. He may even have been right. |